Jared Davis is a producer, curator and writer based in London with a focus on independent music and sound culture.

Jared has contributed art and music related articles to publications including AQNB, DIS Magazine, Public Seminar (The New School, New York), 3hD Festival (Berlin, online programme), Art Monthly Australia and produced catalogue essays for the Museum of Contemporary Art Australia, Australian Centre for Contemporary Art among others.

Notable curatorial projects of Jared’s include Hyperobjectivity (2020) featuring a perfomance by Ewa Awe for 3hd Festival; Paranormal Storytime (2020) presented by AQNB and featuring a talk by writer Elvia Wilk, a live performance by producer and DJ Swan Meat, as well as a screening of video works by artists Tianzhuo Chen and Wang Newone; a public audio-visual performance in Stockholm by Melbourne artist Emile Zile in partnership with Färgfabriken and Bus Projects (SOUTH/SÖDER, 2012); an installation by sound artist Philip Samartzis at the Iziko South African National Gallery in Cape Town (Echoes, 2010); and a public sound art installation by South African artist James Webb as part of the 2009 Melbourne International Arts Festival (Echoes, 2009).

He was Associate Editor of AQNB and co-host of the editorial platform’s Artist Statement podcast. He completed his PhD (Art History & Theory) at Monash University, Melbourne.

2014-2018 – PhD (Art History & Theory), Monash University, Melbourne. Supervisor: Dr Daniel Palmer
2006-2008 – Bachelor of Fine Art (Sound) with Distinction, RMIT University, Melbourne

2024 – Creative Producer, Billy Morgan, ‘Lures’, ICA, London
2023 – Producer, Jose Funnell, ‘eye to eye (dreaming hyper in visibility)’, ICA, London
2021-22 – Label Assistant, 99CHANTS, Berlin/London
2018-23 – Associate Editor, AQNB, London
2019 – Assistant Curator, Tenderpixel, London
2017 – Teaching Associate, Theory of Art and Design, Monash University, Art Design & Architecture, Melbourne
2012-2014 – Program Manager, Experimenta Media Arts, Melbourne
2011-2012 – Gallery Manager, Bus Projects, Melbourne
2010 – Internship, Färgfabriken, Stockholm

2022Impatient youths of the sun: death, psychedelia and the creative kinship between Derek Jarman and Coil, in Responses to Derek Jarman’s Blue (1993), Pilot Press, London
2020Time Stains, Bog, The Issue of Dust, September
2020Big mood: On the analogue past & digital present of ambient music as it moves through moments of crisis in an age of problems too large to scale, AQNB, May
2019Thoughts against ambience: sonic tension & void in Pan Daijing’s durational opera Tissues for the Tate Modern, AQNB, November
2019Collectivity during crisis: talking scenography, smart homes & safety demo aesthetics with artist Nile Koetting ahead of Paradise Found 2, AQNB, July
2019Stuck on loop: London producer Junior XL on making music that’s outside of time & the spectral afterparty sounds in Fervour Wharf, AQNB, April
2018Fragmented, reformulated, multifaceted: The ever-shifting body online & its means of articulation in ‘meet space’ for Les Urbaines, AQNB, December
2018Critical distance: On moving past the ‘provincialism problem’ & into new currents for Australian underground electronic music, AQNB, September
2018Chunyin Review: The neo-baroque aesthetic of 偽承諾 Pseudo Promitto, Difficult Fun, May
2016Punk Preempts the Post-Popstar Age, Public Seminar (The New School), New York, November
2016 – Catalogue text for Primavera 2016, Museum of Contemporary Art Australia, Sydney, September
2015Zero Interference: Today’s Artist-Fan Relationship, 3hd Festival online content, November
2015Saved to your collection: navigating SoundCloud’s subculture, DIS Magazine (DIScover blog), August
2015Unknown Memories: Internet rappers, network consumption and aggregated style, un Magazine 9.1, May
2015David Rosetzky: Gaps, review, Artlink Magazine, March
2014this text is free ••• a readymade text inspired by the work of christopher lg hill, Loose Volume I: ‘Even if you’re miles away…’, Essays collected by Hugh Egan Westland for Das Boot Fair, Next Wave Festival
2013Vocal Folds at Gertrude Contemporary, exhibition review, Art Monthly Australia, September
2013Video Visions program (at ACMI) catalogue essay, Channels: The Australian Video Art Festival, September
2012Circle Work: Sonia Leber and David Chesworth – The Way You Move Me, catalogue essay, IASKA Spaced: art out of place, Western Australia
2011Piero Golia, Welcome to the Land of Opportunities reviewed by Jared Davis, runway, issue 18, March
2010 – Catalogue essay, 10 Transforming Youths, Philip Brophy, Signal/City of Melbourne, June
2010 – Catalogue essays, ART1, Australian Centre for Contemporary Art, April-May
2009Richard Lewer – Nobody Likes A Show Off, Artlink magazine
2008Yasunao Tone Interviewed by Jared Davis, un Magazine, Vol 2 Issue 2, November
200821:100:100 exhibition catalogue, Gertrude Contemporary, Melbourne, December

2020 – Curator, AQNB x 3hd 2020: Hyperobjectivity, event featuring a new performance work by Ewa Awe, as part of Creamcake Berlin’s 3hd 2020 festival companion programme, secret location in London, September 26
2020 – Curator, Paranormal Storytime, event featuring a talk by Elvia Wilk, a live performance by Swan Meat, as well as screenings from Tianzhuo Chen and Wang Newone, presented by AQNB, The Yard Theatre, London, February 16
2015 – Curator (with Liquid Architecture), Antony Riddell: Fingerprints on the Surface of the Brain, survey of the work of Antony Riddell (aka Lester Vat of Volvox) as part of Liquid Architecture’s 2015 program, Blindside Gallery, Melbourne, September 9 – 26
2014 – Curator, Minor Developments, three-part event including performances, screenings and an artist market, Slopes Gallery, Fitzroy, March 29
2014 – Curator, Video Shorts video art program, ‘The Drive-In Project’ by Aphids, Dromana Drive-In theatre, February 1
2012 – Curator, SOUTH/SÖDER, featuring a performance by Emile Zile entitled Subtitle Kino (Färgfabriken), presented in collaboration with Färgfabriken and Bus Projects, Liljeholmstorget, Stockholm, Sweden, August 18 – 19
2012 – Curator, Narrative Threads video program, Experimenta: Speak to Me – 5th International Biennial of Media Art, RMIT Gallery, Melbourne, September 13 – November 17; and national tour venues Powerhouse Museum, Sydney (ISEA2013), Bendigo Art Gallery, Bendigo (2013), The Block, QUT, Brisbane (2014), Albury LibraryMuseum, Albury (2014), Western Plains Cultural Centre, Dubbo (2014)
2012 – Curator, video art program featuring Ann Hirsch (US), Yu Cheng-Ta (Taiwan), Eugenia Lim (Australia). ‘Experimenta Speak to Me: 3 Days 3 Programs’, 225 Bourke Street, Melbourne, August 3
2012 – Co-curator (with Bernhard Garnicnig), Soundwwwalks, ‘Experimenta Speak to Me: 3 Days 3 Programs’, West Space, Melbourne, August 2
2011-12 – Co-director (with Helen Grogan), Open Archive, temporary project space and curatorial project, Abbotsford, Victoria
2011 – Co-curator (with Nella Themelios and Ryan Johnston), Critical Mobility, mobile art space project initiated by Bus Projects, in partnership with the 2011 State of Design Festival and Big West
2010 – Curator, Echoes, artist: Philip Samartzis (Australia), second instalment of a two part sound art cultural exchange, Iziko South African National Gallery, Cape Town, October 8 – 31
2010 – Curator, Always Moving (a performance laboratory in several parts), Gertrude Contemporary Art Spaces, Melbourne, June 18 – July 17
2009 – Curator, Echoes, artist: James Webb (South Africa), first instalment of a two part sound art cultural exchange. Northbank, Melbourne, in partnership with City of Melbourne – Signal and Melbourne International Arts Festival, October 12 – 25

2010 – Editorial Assistant, The Nordic Third World Country? exhibition catalogue, Färgfabriken Norr, Sweden, November
2009 – Sub-Editor, un Magazine, volume 3

2019 – Publication: From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’, Perfect Beat, vol. 19. no 2., pp. 122-141.
2015 – Research Assistant supporting preparation of ARC Discovery Project proposal. Title: “Establish Network Connection: A Re-examination of New Media Art”; Dr Vince Dziekan (Chief Investigator) and Prof Chris Meigh-Andrews (Partner Investigator).